10.4 x 32 Archival Print #1 on Enhanced Matt paper; matted 16 1/8 x 37 3/4. The original idea for this painting series came from seeing the fishing nets and floats drying on the docks at Saint Jean de Luz in France. We visited there twice now -- a marvelous place for a vacation. I decided to paint this scene in a more abstract way in watercolor on AquaBord and then seal it so it could be framed without glass. The original sold while in a show at the Guistina Gallery on the campus of OSU in Corvallis. I love this painting and signed by me on the certificate of authenticity
10.4 x 32 Archival Print #1 on Enhanced Matt paper; matted 16 1/8 x 37 3/4. The original idea for this painting series came from seeing the fishing nets and floats drying on the docks at Saint Jean de Luz in France. We visited there twice now -- a marvelous place for a vacation. I decided to paint this scene in a more abstract way in watercolor on AquaBord and then seal it so it could be framed without glass. The original sold while in a show at the Guistina Gallery on the campus of OSU in Corvallis. I love this painting and signed by me on the certificate of authenticity
Fine Art Miniature 8 x 10 Framed in special floater frames, sealed.
7 x 9 Archival print on UltraSmooth Fine Art Paper; double matted conservation mat boards 8 ply - Just add the 16x20 frame!
Original Sold. 11.5 x 15.25 Image on watercolor paper matted to fit 16x20. Watercolor painting using wet into wet technique to keep the majority of the painting transparent and fresh. We visited Kowloon Park in Hong Kong several years ago and the peaceful setting and tranquility of the pond in particular still is vivid in my memory. I was lucky to capture this koi rising to feed.
11x16 Archival print on Ultrasmooth Fine Art Paper; matted 18x24 conservation matboard. Ready to frame 18x24!
Transparent watercolor of one of my favorite moments during the 2016 Tour de France captured by my camera. I believe it has never happened that the Yellow Jersey and Green Jersey leaders decide to breakaway from the Peleton with 12K to the finish line. Sagan managed to win Stage 11 with the Peloton breathing down their necks. It was a great sprint to the finish line and Peter Sagan outsprinted Froome barely to win the stage. Froome retained his yellow jersey. Each had a teammate to support their effort Geraint Thomas from Team Sky and Maciej Bodner from Tinkoff. Maciej finished 3rd and is seen on the left in the painting.
Original SOLD
Accepted as 1 of 80 paintings in the WSO Spring Exhibition starting April 7-June 19 at the Jordan Schnitzer Museum of Art on the UO campus and can be purchased through the Museum
16 x 10 1/4 archival print on UltraSmooth Fine art paper; matted conservation single mat board. Ready to frame 24x18!
Original available. Watercolor on Arches cold press. 22 x 14; Framed 30 x 22.
Of the several photos of tigers in India which my Uncle too, this appears to be a female Siberian tiger. She was cautiously taking a drink but spotted the humans nearby. The still water had a nice reflection.
8x8 archival print on ULtrasmooth Fine Art Paper matted 12x12 Conservation Solids 8 Ply Gallery Board; Framed 12x12; $75 w/o frame.
While I was streaming the Tour de Suisse I enjoyed the differences in the architecture in Switzerland from having watched the Tour de France villages. I captured this cyclist who had decided to breakaway and win the stage but thought the design of the buildings with him dashing through was worth painting. Original sold.
Giclee Limited Ed #1 7 3/8" x 10" Matted: 11x14
It was a difficult decision: to paint the photo in its entirety or focus on the egrets coming in for a landing on the elephant amongst the trees. Reference photos taken by Natalie Sheh and Eric Nadal.
Giclee Limited Ed #1 10x 6 3/4 Matted: 14x11
Reidel makes a special wine glass for Oregon’s pinot noir wine sales. The glasses are beautifully shaped to bring out the flavors of the wine. Adding colors in the Basque tablecloth from our trip to France and distorting the edges of the glasses made it especially fun to paint.
16.5 x 16 Archival Print on Hahnemhle Photo Rag 308; Double Matted 20x20. Printed from an original watercolor on hot press paper using watercolor, gouache, iridescent paints and acrylic to develop the coral which is dying due to the warming of the oceans around Hawaii. My sister-in-law was one of several who tracked the changing of the coral and she shared this photo with me to paint. Hopefully some of the coral will come back as in past years.
22.7x16 Archival Print on Hahnemhle Phoato Rag 308; Matted 28x24. Printed from an original watercolor on hot press. The intensity of the colors was achieved using a technique called "pressing" using concentrated fresh pigments on the wetted surface of the paper. The trees had been masqued. There is something magnificent and magical of being in the fall forest.
21.9x16 Archival Print on Hahnemhle Photo Rag 308; matted 22x24. Printed from an original watercolor on AquaBord. Used technique of spraying highly pigmented watercolors on wet webbing creating the underpainting. The colors reminded me of a peacock so I used watercolors and iridescent colors to bring the peacock to the front. Love to paint using this technique and so the series began.
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